Happy appointment with music

Presentation de"Soplando a history to four winds". Musical theater for children of Four Vientos and Toti Glusman. Interpreters: Jorge Polanuer (saxo tenor and flauta traversa), Diego Maurizi (saxo high and clarinete), Julio Martinez (saxo baritone) and Nicholas Santamaría (saxo soprano). Clothes: Lucia Trebisacce. Adjustments and original music: Jorge Polanuer. Design of illumination: Jose Glusman. Musical direction: Leo Heras. Putting in scene and main directorate: Jose "Toti" Glusman. Auditorium of San Isidro. Avenue of Liberator 16,138, Saturdays and Sundays, to 17.
Our opinion: very good

Humor settles from the beginning, when the members of the set leave to scene and is something do not find and they go away quickly. By a time they will not speak, will only gesture, as if silence made hair nets.

Soon they will appear the word and music, each one to summon the laughter or the delight with the sounds.

Everything is made in serious and simultaneously very comedian, and for that reason same the absurd one is dominated the scene. Great boys and are excited with ridiculous situations, that end generally at a brief musical execution.

Firstly they are the cavemen, who discover the pleasure of rythmical sounds, striking and soon blowing. And later they will be different moments from history and different places from the planet.

Without a precise didactic objective, as far as the historical narration, the Four Winds parodian an educative situation, a conference, a class, and you are ingenian to be spinning a history of the relation of the human being with the world of the sounds, to the blows. They are in a palace, solemn and careful (although not as much and not all) to offer a concert, then the public can listen Bach, Mozart and Beethoven. But they leave and they go to the seats, and there they are juglares with the musical games and the pop music, the dances and the dances of people recognizing the origin of some rates like the jazz, the tango and subjects of the folklore. Finally, an imitation of great figures of the rock & roll.

The movement in the scene is constant, the verbal game and gestual he is permanent, the theater space becomes a place where the silencios say and explode of laughter. Juguetona in the form in which is not a certain poetry the scenes and the reasons are connected, in the form in which the musicians and their instruments surprise, in that maintained rate that do not stop, but exhausts either. Worked the nexuses very well and integrated the interpreters, it can be observed that its plot also is a score. In fact, this spectacle that flatters the senses and amuses to great and small not can count, cannot be described, is necessary to see it and to listen to it.