Inchausti, a young virtuoso of the violin

Concert of the Academic Orchestra of the Theater Columbus. Director: Carlos Narrow street. Solista: Xavier Inchausti (violin). Program: Prelude to the act first of "Lohengrin", Richard Wagner; Concert N° 5, for violin and orchestra in the Greater one, K. 219, of Wolfgang Amadeus Mozart, and Symphony N° 5, Op. 107, "the reform", of Felix Mendelssohn. Theater Columbus.
Our opinion: excellent

The recent presentation of the Academic Orchestra of the Theater Columbus had several attractive worthy ones to be outstanding because they speak of a good planning and a well-known elevation of the general quality of the set, tie aspect with the doubtless capacity of the musical outstanding Carlos Narrow street like titling of the organism. Also, the election of the program was a success, not only by the quality and infrequent hearing of works, but also by the exigency that these impose the integral young people. Finally, it was another subject of interest to listen to the young violinista Xavier Inchausti, of only twelve years (it will fulfill 13 next the 16 of September), like solista facing a concert of Mozart.

One of reasons for greater to please for critic musical is to listen for the first time talent young and to discover in him conditions exceptional, and to be able to give it to know transforms into act that locks up certain quota of pride, because in fact a judgment whose truth is had to produce as much in an uncertain future, in the time as in the ratification of that same prophecy practices.

When Inchausti faced the initial allegro of the concert for violin of Mozart the astonishment was immediate. It was being listened to for the first time in the room of Columbus an adolescent to whom it was appraised plumbed, serious, with templanza necessary to act without hesitations and that in addition let listen to a aterciopelado sound, stamped well, ample and sharpened throughout all the registry of its violin.

From the slow movement saying that takes the seal of infinite beauty of the creator, the emotividad and the stylistic frame of the work were in ascent. Propped up by the baton of Narrow street, clear and simple, its performance reached passages of impeccable accomplishment, confirming the impression that it was in the presence of a new figure of national music, call to enrich the list of great names of the cords in several generations.

Warm and the sharp applause of the public who occupied silverplates it was awarding a young person of White Bay, son of the solista of corno of the Provincial Symphony orchestra of that city, that to the eight years began to study the nine piano and to the violin, having already acted in diverse concerts public, scholarship holder of the Foundation Torches and that at the moment continue their studies with distinguished the violinista and masterful Fernando Hasaj.

When adding allemande, of the second partita for single violin, of Johann Sebastian Bach, Xavier Inchausti dictated to a class of style and understanding of the author (amazing capacity to that age) and a very solid technique of execution, as much by the clean joint of its left hand like by the rudeness and elegance of the arc in its right and general position of its figure.

The second part of the program was dedicated to the beautiful symphony N° 5, Op. 107, "the reform", of Felix Mendelssohn, perhaps a tribute to the religious spirit of Bach and his monumental contrapuntística capacity, like can be presumed by the introduction that contains one pretends flight.

The integral young people of the orchestra had an excellent performance in all their rows and, guided with evident precision by Narrow street, they managed to shape the passages it jeopardize more of the work, like the only faithful movement to the light and delicate style of the author, the second, allegro vivace, or the last one, where a single one of flauta remembers the hymn to Lutero that culminates with a very beautiful harmonization, to the way of a chorale.

Enjundia of loudness, quality of many of solistas of instrumentinos, good level of row of violins, which it had passed the hard examination that imposed the first work of the program, nothing less than the subtle prelude of "Lohengrin", of Richard Wagner, where they must make an exercise of impeccable cohesion, and the very solid quality of the three rows of serious cords, bronzes and percussion, was the exact demonstration of which Academic of the Theater Columbus it is the most complete and suitable seed plot for the future of the national orchestras.

The magnificent concert concluded with the always charming, colorful and dynamic Hungarian dance n°, of 5 Johannes Brahms, offered by Carlos Narrow street in impeccable style and grace.